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Schimpf, the last to take the
stage, distinguished himself in more ways than one Saturday performing
Beethoven's Piano Concerto No. 4. Even before he played a note, his
selection of the round's lone Classical-period work attracted attention.
Then came the performance,
the finest of the four, marked by secure interaction with the orchestra and
complete mastery of the score's technical and emotional dimensions. By
turns, the pianist whipped up storms, spun out golden filigree, and plumbed
philosophical depths.
Others played their
selections. He owned his.
(Zachary
Lewis, The Plain Dealer, August 6, 2011) - Cleveland
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